Island Farm

Two paintings by Charles Lloyd Shayes.

These beautiful paintings by Charles.L.Shayes were kindly contributed to the Archive by George Chambers who took the trouble to photograph the originals that he owns and let us have these excellent copies for publication.

Island Farm looking N.W,probably from where Stella Maris Close is today.

I have a personal interest in the pictures as my late mother (then Kay Porteous) lived in one of the bungalows, ‘Mizpah’ as a teenager with her Mother and three elder siblings. This was for a number of years in the mid-1920s and they were quite possibly there at the time the paintings were done.

Unlike the two oils painted by the same artist already in the Archive Art section which were painted on canvas in a very whistful style these are executed on board and are of a bolder nature both in colour and style.

Island Farm looking south, from the north bank of the Lake.

Also of particular interest to Robert Hallman, Dave Bullock and others, in the painting looking south, between the bungalow and the seawall are outlined some building/sheds with two prominent chimneys. Are these the mystery buildings in the photo that Robert submitted a couple of years ago? Dave did suggest at the time that they might be close to Wall Rd. Given a certain amount of artist’s licence this painting seems to prove him right! Certain amount of serendipity for Robert too as the artist is Charlie Shayes whose signature he pointed out to me on the ‘lighthouse’ paintings. Well,we probably now know where they were but what was their purpose? Island Farm was, I believe something of a market-garden operation could they have been boiler-houses? Was implicatio of the upturned boat and fishy business just a red herring!??

Comments about this page

  • Hi, Graham, more great finds, thanks to George Chambers. You are right, these paintings are more ‘down-to-earth’ and detailed in their subject matter, but they still have the vibrant colours of the seascapes. They have the postcard look of fairly accurately representing what he saw, so I am unconvinced as yet that the buildings on left of one of them are the same as those in the photograph, though perhaps from a different angle…? I leave that to more knowledgeable folk to determine. Is that a ‘No Fishing’ notice near the boy with the angling rod? At the risk of repeating myself, Canvey has attracted lots of artists in its past and an exhibition bringing their works together would be a real plus for the island. Artistic spirit seems to come as part of the freedom found on the island (or in Benfleet Creek) by people escaping from the smog and squalor of London. I have just spoken with Martin Shayes, great-grandson of C.L. Shayes, who is going to put us in touch with his father, Cyril Shayes. So hopefully there will be more to come. Thanks, Robert

    By Robert Hallmann (15/07/2010)

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